About the Book:
Kate and Christopher Dearing’s lives turn upside down when their father loses everything in a railroad land speculation. The siblings are shipped off to their mother’s brother in England with one edict: marry money.
At twenty-seven years old, Kate has the stigma of being passed over by eligible men many times—and that was before she had no dowry. Christopher would like nothing better than to make his own way in the world; and with a law degree and expertise in the burgeoning railroad industry, he was primed to do just that—in America.
Though their uncle tries to ensure Kate and Christopher find matrimonial prospects only among the highest echelon of British society, their attentions stray to a gardener and a governess.
While Christopher has options that would enable him to lay his affections where he chooses, he cannot let the burden of their family’s finances crush his sister. Trying to push her feelings for the handsome—but not wealthy— gardener aside, Kate’s prospects brighten when a wealthy viscount shows interest in her. But is marrying for the financial security of her family the right thing to do, when her heart is telling her she’s making a mistake?
Mandates . . . money . . . matrimony. Who will follow the heart?
Meet the Author:
How long did Follow the Heart take to write?
I came up with the story idea in August 2010 and wrote up a proposal which my agent started pitching. In January 2011, I wrote three sample chapters at the request of a few publishers. But I didn’t write any more than that until August 2011 when I signed the contract with B&H. I turned the manuscript in the first week of May 2012. So it was almost two years from concept to completion, but about nine months of actual focused writing.
How does FTH fit in with the other books you have written?
Follow the Heart and the Great Exhibition series are similar to my contemporary series (The Brides of Bonneterre and the Matchmakers series with Barbour Publishing) as they are light-hearted, stand-alone novels which are tied together with recurring characters and a familiar setting. They’re also similar to The Ransome Trilogy (Harvest House Publishers) as I try to fully immerse the reader in the language, fashion, and details of the historical era. And each book fulfills my promise of “Humor, Hope, and Happily Ever Afters” that my readers have come to expect.
What is the takeaway from this book? What do you want to leave with your readers?
Women, especially, tend to look at our choices as a series of obligations—we do what we feel we are obligated to do for the sake of our families, not necessarily what we feel our hearts are telling us to do. I believe, and it’s the theme of this book, that we spend too much time worrying about how we can fix/help/support our families (or those around us at work or in friendships) and not enough time listening to and trusting God. When we pray, we tend to tell God what’s wrong and ask him to fix it. But do we ever really take the time to just be still and listen to what God is trying to tell us? And can we really let God take care of those we feel responsible for and let go of that burden of responsibility that may not, in truth, be ours to bear?
How did you get into the mindset of this book?
I had a basic knowledge of the mid-19th Century in England through studying both history and literature in college. But I really started learning about it in earnest when I became fascinated with the Great Exhibition several years ago and decided it would make a great backdrop to a series. I tend to first start getting into an era by watching costume-drama adaptations of novels written or set during that time and in that location. In this case—lots of Charles Dickens and Elizabeth Gaskell, and lots of bio-pics about Queen Victoria’s early life/rule. Can it get any better? Being able to watch North & South and The Young Victoria over and over and over again and call it “research”? Then I start reading the books on which those movies are based. I “collect” interesting words and turns of phrase, look for methods and manners to behavior and social interaction, get a feel for the way the English language was used by those who knew it best during that time. I also find nonfiction research books that can explain the household, society, gender politics, travel modes, fashion, etc.
What interests you most about the Victorian Era?
I love that it still has the sensibility of the Regency era—from the activities like balls and dinners to the formality of courting customs—yet in 1851, the world is on the cusp of the Industrial Revolution: train and steamboat travel, telegraph, indoor plumbing (“retiring/refreshing rooms” with pay toilets at the Great Exhibition!). I also love that women were starting to come into their own a bit more. Still not considered equals, but at least starting to get some recognition for their contributions and accomplishments in society.
What was your inspiration for this story?
In 2001, I watched Victoria & Albert on A&E and fell in love with the love story of these two monarchs of England. But that wasn’t the only thing I took away from it. I was also fascinated by the scenes which portrayed the planning and opening of Prince Albert’s Great Exhibition in 1851. Then, a few years later, I watched another mini-series: North & South. No, not the one about the American Civil War, the one based on the classic, but little-known, novel by Elizabeth Gaskell. It also has a scene that takes place at the Great Exhibition. Once I saw that, I was hooked—on the era and on the event.
Which character in the book is most like you?
All of my characters incorporate parts of me, so this is a hard question to answer. I’d probably have to say Kate, though, and not just because we share the same full first name. Like Kate, I tend to take on a lot of responsibility and feel obligated to do things because I think it’s my duty. I don’t want to disappoint others, so I’ll work myself literally into a sickbed rather than delegate or let something slide.
Connect with Kaye ~
Authors! Kaye Dacus's website is one of the ones I go to for a variety of reasons. Yes, one is to get my Karl Urban fix, but more importantly, she has a plethora of great information to help budding and not-so-budding authors. Check her Writing Series Index out. You won't be disappointed!